BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//K&A - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:K&A
X-ORIGINAL-URL:https://www.ifthesunisasquare.com
X-WR-CALDESC:Events for K&A
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20210101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:Europe/Zurich
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20241027T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:Europe/Lisbon
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:WEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:WET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:WEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:WET
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:WEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:WET
DTSTART:20241027T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20220923T203000
DTEND;TZID=UTC:20220923T213000
DTSTAMP:20260404T124112
CREATED:20230224T123322Z
LAST-MODIFIED:20230325T224028Z
UID:55350-1663965000-1663968600@www.ifthesunisasquare.com
SUMMARY:JUNGLE THE FUTURE
DESCRIPTION:JUNGLE THE FUTURE is a “fairytale gone wrong” for grown ups \nJUNGLE THE FUTURE is a theatrical f(r)iction documentary. \nJUNGLE THE FUTURE drags you into the groovy world of sharK and zebrA… our world! \n“The future is here… so is the jungle.” K&A \n  \nJungle the Future portrays the science-fiction journey of a humanized zebrA and sharK that escape their habitats to settle in cement territories: our cities. In the heart of a metropolis – amidst its grey neighborhoods- they confront the rites and customs of humans. In an effort to blend in they eat cigarettes\, dress-up in the corners\, get drunk on salt and gallop on rollers. The scandalous dream of the zebrA-lexandra Bellon\, and of the sharK-arla Isidorou\, is to integrate into human society. The audience\, as if visiting a zoo or a crime scene\, stays safely behind the lines. They witness their struggles\, nostalgia\, dreams for a better life and irresistable stamina to keep trying. \nTheir movements unfold between savage animalistic trance gestures and wacky odd human actions. What happens when the animals become all too human?“Jungle the Future” is a m-Ask s-How that questions our  relationship with animals\, urban and wild territories: BORDERS\, ORDERS\, OTHERS.  \nIn this physical theater performance the music becomes a storyteller without words\, tracing back the migration of the two animals with granulair percussive sounds\, atmospheric motives and groovy cords.  Are you ready for the JUNGLE? Are you ready for the FUTURE? \nJungle the Future to offer your mind provocative wild spaces and species. \n  \nCredits \nConcept\, choreography & performance: K&A (Karla Isidorou & Alexandra Bellon)\nMusic composition & performance: Alexandra Bellon & Viva Sanchez Reinoso Morand\nMask & costume design: our ready made society\nSound Recording: Leo Marin\, Bridge Studio Music\nSound mix: Alessandro Mazzieri\nCo-production: K&A\, Theater Ins Blau\, Amalthea\nSpecial thanks to: Kees van Leeuwen\, the entire team of Theater Ins Blau \n  \nhttps://theaterinsblau.nl/
URL:https://www.ifthesunisasquare.com/event/jungle-the-future-3/
LOCATION:Theater ins Blau
CATEGORIES:Jungle The Future
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2022/02/JUNGLE-THE-FUTURE-by-KA-protest-slogans-0239-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220924T203000
DTEND;TZID=UTC:20220924T213000
DTSTAMP:20260404T124112
CREATED:20230224T123222Z
LAST-MODIFIED:20230325T224014Z
UID:55343-1664051400-1664055000@www.ifthesunisasquare.com
SUMMARY:JUNGLE THE FUTURE
DESCRIPTION:JUNGLE THE FUTURE is a “fairytale gone wrong” for grown ups \nJUNGLE THE FUTURE is a theatrical f(r)iction documentary. \nJUNGLE THE FUTURE drags you into the groovy world of sharK and zebrA… our world! \n“The future is here… so is the jungle.” K&A \n  \nJungle the Future portrays the science-fiction journey of a humanized zebrA and sharK that escape their habitats to settle in cement territories: our cities. In the heart of a metropolis – amidst its grey neighborhoods- they confront the rites and customs of humans. In an effort to blend in they eat cigarettes\, dress-up in the corners\, get drunk on salt and gallop on rollers. The scandalous dream of the zebrA-lexandra Bellon\, and of the sharK-arla Isidorou\, is to integrate into human society. The audience\, as if visiting a zoo or a crime scene\, stays safely behind the lines. They witness their struggles\, nostalgia\, dreams for a better life and irresistable stamina to keep trying. \nTheir movements unfold between savage animalistic trance gestures and wacky odd human actions. What happens when the animals become all too human?“Jungle the Future” is a m-Ask s-How that questions our  relationship with animals\, urban and wild territories: BORDERS\, ORDERS\, OTHERS.  \nIn this physical theater performance the music becomes a storyteller without words\, tracing back the migration of the two animals with granulair percussive sounds\, atmospheric motives and groovy cords.  Are you ready for the JUNGLE? Are you ready for the FUTURE? \nJungle the Future to offer your mind provocative wild spaces and species. \n  \nCredits \nConcept\, choreography & performance: K&A (Karla Isidorou & Alexandra Bellon)\nMusic composition & performance: Alexandra Bellon & Viva Sanchez Reinoso Morand\nMask & costume design: our ready made society\nSound Recording: Leo Marin\, Bridge Studio Music\nSound mix: Alessandro Mazzieri\nCo-production: K&A\, Theater Ins Blau\, Amalthea\nSpecial thanks to: Kees van Leeuwen\, the entire team of Theater Ins Blau \n  \nhttps://theaterinsblau.nl/
URL:https://www.ifthesunisasquare.com/event/jungle-the-future-2/
LOCATION:Theater ins Blau
CATEGORIES:Jungle The Future
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2022/02/JUNGLE-THE-FUTURE-by-KA-protest-slogans-0239-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20221001T170000
DTEND;TZID=Europe/Zurich:20221001T180000
DTSTAMP:20260404T124112
CREATED:20230325T214513Z
LAST-MODIFIED:20230325T214513Z
UID:55943-1664643600-1664647200@www.ifthesunisasquare.com
SUMMARY:AM I A ROBOT?*
DESCRIPTION:‘Tonight\, we would like to hear a loud and enthusiastic applause for our very special guest Sophia.’ ‘Sophia\, how are you tonight?’ \nFunny\, uncomfortable\, provoking\, sometimes with a delay\, Sophia answers questions. Inspired by a true story\, “AM I A ROBOT?*” invites you to encounter SOPHIA. She is a social humanoid robot that was activated on February 14\, 2016 and is the first robot to receive citizenship of any country. AM I A ROBOT?* is a documentary show on the edge: an inappropriate circus demonstration to question our capability for empathy and explore our repetitive failure to recognise the rights of what is perceived as otherness. \n  \n“Talk show\,  AI\, post-human\, racism\, robotics\, ethics\, starification. We miss one word..  Empathy. How did we forget to be human?” K&A  \n  \nCredits: \nConcept & performance: K&A (Karla Isidorou & Alexandra Bellon)\nScenography & costumes: K&A\nSpecial thanks to: SOPHIA \n 
URL:https://www.ifthesunisasquare.com/event/am-i-a-robot-11/
LOCATION:Het Nationale Theater\, Zaal 3\, The Hague\, Netherlands
CATEGORIES:AM I A ROBOT?*
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MAIN-WEB-AM-I-A-ROBOT-by-KA-campaign-image7274-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20221009T190000
DTEND;TZID=Europe/Zurich:20221009T200000
DTSTAMP:20260404T124112
CREATED:20230325T215105Z
LAST-MODIFIED:20230325T215105Z
UID:55947-1665342000-1665345600@www.ifthesunisasquare.com
SUMMARY:RELAY OF MATCHES
DESCRIPTION:RELAY OF MATCHES is a simple collective action: a poetic ignition\, a crucial gesture\, to transfer the gravity of inflammability. \nHow inflammable are our thoughts? Our actions? Our links? All together\, performers & audience\, we relay a simple gesture… some would say a childrens game: passing the sparkle of a match from one to another. Success or failure is not the point. Like thousands of people before us we will share the fire. From body to body\, hand to hand\, match to match\, border to border.\nNote: this performance is participatory. \nCredits:\nConcept & Performance: K&A\, Karla Isidorou & Alexandra Bellon\nWith special thanks to all the audience members that are ready to pass on the fire
URL:https://www.ifthesunisasquare.com/event/relay-of-matches/
LOCATION:Home for Cooperation\, Buffer Zone\, Cyprus
CATEGORIES:RELAY OF MATCHES
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/RELAY-OF-MATCHES-KA-1555.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20230506T200000
DTEND;TZID=Europe/Zurich:20230506T210000
DTSTAMP:20260404T124112
CREATED:20230325T213851Z
LAST-MODIFIED:20230325T213938Z
UID:55931-1683403200-1683406800@www.ifthesunisasquare.com
SUMMARY:APOCALYPSE MON AMOUR
DESCRIPTION:APOCALYPSE MON AMOUR is an experimental documentary that zooms into the future 8102: a year in which the language is invaded by a virus. A live typed text is being engraved on the screen of the room\, the sounds of the amplified typewriter intrude the surrounding sound system of the cinema. Subtitles\, are not any more the sub\, but the protagonists. They become  the encoded images of the film. Through the cursor\, the live voice over and the circular sound the audience is blend into a looping apocalyptic world. \nA live film\, an immersive performance as an ode/death sentence to the letters of 8102. \nThe question is not what happens before.  The question is not what will be after.\nThe core is the transformation itself – as if typing into the eye of the cyclone. Letters swirling and dissolving into the air.\nYou lose your letters?\nTime goes on.\nHow long will you still be able to pass on the message? \n \nAPOCALYPSE MON AMOUR\, exposes the timeline of the expansion of a virus\, that grabs the common communication system: our language. An experimental documentary that zooms into 8102\, a year without letters. \nA taste of.. \nThe live typed text is being engraved on the screen of the room.The sounds of the amplified typewriter intrude the surrounding sound system of the cinema. The old machine becomes a music and filming installation. Subtitles\, are not any more the sub\, but the protagonists. They become  the encoded images of the film. K&A control  a black screen on which white letters\, words and sentences tell the story of a virus in the language. \nAppearance / Disappearance. \nThrough the cursor\, the audience is being  moved between enters\, shifts\, capital letters and corrected wor(l)ds. Mistakes reign on  a black screen intruded by voids. The words are scarred\, glitched\, reversed\, articulated\, damaged\, bugged. The audience is blend  into a looping apocalyptic world. \n“I try to type you a letter. I try to type you for later. From 8102 to now.” \n  \nCredits:\nConcept\, text & performance: K&A (Karla Isidorou & Alexandra Bellon)\nMusic composition & realization: Alexandra Bellon\nIT Design: Antoine Hordez
URL:https://www.ifthesunisasquare.com/event/apocalypse-mon-amour-5/
LOCATION:La Palpitante\, Mens\, France
CATEGORIES:APOCALYPSE MON AMOUR
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/KA-APOCALYPSE-MON-AMOUR-35.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230609T153000
DTEND;TZID=UTC:20230609T180000
DTSTAMP:20260404T124112
CREATED:20230224T125533Z
LAST-MODIFIED:20230529T081852Z
UID:55362-1686324600-1686333600@www.ifthesunisasquare.com
SUMMARY:MINUS 9
DESCRIPTION:part of RARE performances curated by Carolina Santos \nMINUS 9 is an anatomic sound installation\,\na one on one performance of 14 min for an ear\, to hear\, here.\nIt is an invitation to dive into the sonographic scenography of your own body. \nFrom the outside all seems to be silent\, from the inside the first blast of the universe is making a big band. In MINUS 9\, the boundaries between musician and audience\, between music and ritual\, silence and sound\, drumming and dreaming are broken down. \n‘With MINUS 9 we tease the equilibrium in the hierarchy of the senses. Can the “ear\, hear\, here” become the touching vestibule of a new order? We challenge the distance in between. When do we allow ourselves to be touched\, metaphorically or literally? We invite the audience to re-question and rethink how we relate to each other. In our society a few roles trespass our comfort zone to touch our skin: doctors\, caretakers\, dance & sport coaches. They touch you but are you really touched? Music touches us emotionally\, but what if it would literally touch your flesh?’ K&A \nK&A within their performative constellations transform/translocate/transhape the relationship between the performer and the spectator to make it fluid.\nIn any theater the audience carries a predetermined role. Within the work of K&A the expectation to be silent\, to sit in the dark\, to stay immobile\, to watch the stage is being shifted. The latitude of the performer correlates with the longitude of the audience and is being redefined. In MINUS 9 the ear of the audience becomes the music instrument on which the composition is made on and the soundsystem through which it is perceived. MINUS 9 crosses the inner ear sound barrier\, exposes the noise\, the music that is hidden inside our own machine. This performance is a sonographer\, an ultrasound guide into the auditors unknown zones. It is an ode to the simplicity that carries the multiplicity. A performance for an ear: to hear/here. \n  \n 
URL:https://www.ifthesunisasquare.com/event/minus-9/
LOCATION:PQ2023 Prague Quadrennial of Performance Design & Space\, Holešovice Market - H17\, Prague\, Czech Republic
CATEGORIES:MINUS 9
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MINUS-9-web-campaign-images-5901.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230610T110000
DTEND;TZID=UTC:20230610T180000
DTSTAMP:20260404T124112
CREATED:20230525T214548Z
LAST-MODIFIED:20230529T082209Z
UID:56330-1686394800-1686420000@www.ifthesunisasquare.com
SUMMARY:MINUS 9
DESCRIPTION:part of RARE performances curated by Carolina Santos \nMINUS 9 is an anatomic sound installation\,\na one on one performance of 14 min for an ear\, to hear\, here.\nIt is an invitation to dive into the sonographic scenography of your own body. \nFrom the outside all seems to be silent\, from the inside the first blast of the universe is making a big band. In MINUS 9\, the boundaries between musician and audience\, between music and ritual\, silence and sound\, drumming and dreaming are broken down. \n‘With MINUS 9 we tease the equilibrium in the hierarchy of the senses. Can the “ear\, hear\, here” become the touching vestibule of a new order? We challenge the distance in between. When do we allow ourselves to be touched\, metaphorically or literally? We invite the audience to re-question and rethink how we relate to each other. In our society a few roles trespass our comfort zone to touch our skin: doctors\, caretakers\, dance & sport coaches. They touch you but are you really touched? Music touches us emotionally\, but what if it would literally touch your flesh?’ K&A \nK&A within their performative constellations transform/translocate/transhape the relationship between the performer and the spectator to make it fluid.\nIn any theater the audience carries a predetermined role. Within the work of K&A the expectation to be silent\, to sit in the dark\, to stay immobile\, to watch the stage is being shifted. The latitude of the performer correlates with the longitude of the audience and is being redefined. In MINUS 9 the ear of the audience becomes the music instrument on which the composition is made on and the soundsystem through which it is perceived. MINUS 9 crosses the inner ear sound barrier\, exposes the noise\, the music that is hidden inside our own machine. This performance is a sonographer\, an ultrasound guide into the auditors unknown zones. It is an ode to the simplicity that carries the multiplicity. A performance for an ear: to hear/here. \n  \n 
URL:https://www.ifthesunisasquare.com/event/minus-9-12/
LOCATION:PQ2023 Prague Quadrennial of Performance Design & Space\, Holešovice Market - H17\, Prague\, Czech Republic
CATEGORIES:MINUS 9
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MINUS-9-web-campaign-images-5901.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230611T110000
DTEND;TZID=UTC:20230611T180000
DTSTAMP:20260404T124112
CREATED:20230525T215326Z
LAST-MODIFIED:20230529T082424Z
UID:56351-1686481200-1686506400@www.ifthesunisasquare.com
SUMMARY:MINUS 9
DESCRIPTION:part of RARE performances curated by Carolina Santos \nMINUS 9 is an anatomic sound installation\,\na one on one performance of 14 min for an ear\, to hear\, here.\nIt is an invitation to dive into the sonographic scenography of your own body. \nFrom the outside all seems to be silent\, from the inside the first blast of the universe is making a big band. In MINUS 9\, the boundaries between musician and audience\, between music and ritual\, silence and sound\, drumming and dreaming are broken down. \n‘With MINUS 9 we tease the equilibrium in the hierarchy of the senses. Can the “ear\, hear\, here” become the touching vestibule of a new order? We challenge the distance in between. When do we allow ourselves to be touched\, metaphorically or literally? We invite the audience to re-question and rethink how we relate to each other. In our society a few roles trespass our comfort zone to touch our skin: doctors\, caretakers\, dance & sport coaches. They touch you but are you really touched? Music touches us emotionally\, but what if it would literally touch your flesh?’ K&A \nK&A within their performative constellations transform/translocate/transhape the relationship between the performer and the spectator to make it fluid.\nIn any theater the audience carries a predetermined role. Within the work of K&A the expectation to be silent\, to sit in the dark\, to stay immobile\, to watch the stage is being shifted. The latitude of the performer correlates with the longitude of the audience and is being redefined. In MINUS 9 the ear of the audience becomes the music instrument on which the composition is made on and the soundsystem through which it is perceived. MINUS 9 crosses the inner ear sound barrier\, exposes the noise\, the music that is hidden inside our own machine. This performance is a sonographer\, an ultrasound guide into the auditors unknown zones. It is an ode to the simplicity that carries the multiplicity. A performance for an ear: to hear/here. \n  \n 
URL:https://www.ifthesunisasquare.com/event/minus-9-13/
LOCATION:PQ2023 Prague Quadrennial of Performance Design & Space\, Holešovice Market - H17\, Prague\, Czech Republic
CATEGORIES:MINUS 9
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MINUS-9-web-campaign-images-5901.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230615T153000
DTEND;TZID=UTC:20230615T180000
DTSTAMP:20260404T124112
CREATED:20230525T215714Z
LAST-MODIFIED:20230529T082601Z
UID:56375-1686843000-1686852000@www.ifthesunisasquare.com
SUMMARY:MINUS 9
DESCRIPTION:part of RARE performances curated by Carolina Santos \nMINUS 9 is an anatomic sound installation\,\na one on one performance of 14 min for an ear\, to hear\, here.\nIt is an invitation to dive into the sonographic scenography of your own body. \nFrom the outside all seems to be silent\, from the inside the first blast of the universe is making a big band. In MINUS 9\, the boundaries between musician and audience\, between music and ritual\, silence and sound\, drumming and dreaming are broken down. \n‘With MINUS 9 we tease the equilibrium in the hierarchy of the senses. Can the “ear\, hear\, here” become the touching vestibule of a new order? We challenge the distance in between. When do we allow ourselves to be touched\, metaphorically or literally? We invite the audience to re-question and rethink how we relate to each other. In our society a few roles trespass our comfort zone to touch our skin: doctors\, caretakers\, dance & sport coaches. They touch you but are you really touched? Music touches us emotionally\, but what if it would literally touch your flesh?’ K&A \nK&A within their performative constellations transform/translocate/transhape the relationship between the performer and the spectator to make it fluid.\nIn any theater the audience carries a predetermined role. Within the work of K&A the expectation to be silent\, to sit in the dark\, to stay immobile\, to watch the stage is being shifted. The latitude of the performer correlates with the longitude of the audience and is being redefined. In MINUS 9 the ear of the audience becomes the music instrument on which the composition is made on and the soundsystem through which it is perceived. MINUS 9 crosses the inner ear sound barrier\, exposes the noise\, the music that is hidden inside our own machine. This performance is a sonographer\, an ultrasound guide into the auditors unknown zones. It is an ode to the simplicity that carries the multiplicity. A performance for an ear: to hear/here. \n  \n 
URL:https://www.ifthesunisasquare.com/event/minus-9-14/
LOCATION:PQ2023 Prague Quadrennial of Performance Design & Space\, Holešovice Market - H17\, Prague\, Czech Republic
CATEGORIES:MINUS 9
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MINUS-9-web-campaign-images-5901.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230616T110000
DTEND;TZID=UTC:20230616T180000
DTSTAMP:20260404T124112
CREATED:20230525T220245Z
LAST-MODIFIED:20230529T082843Z
UID:56386-1686913200-1686938400@www.ifthesunisasquare.com
SUMMARY:MINUS 9
DESCRIPTION:part of RARE performances curated by Carolina Santos \nMINUS 9 is an anatomic sound installation\,\na one on one performance of 14 min for an ear\, to hear\, here.\nIt is an invitation to dive into the sonographic scenography of your own body. \nFrom the outside all seems to be silent\, from the inside the first blast of the universe is making a big band. In MINUS 9\, the boundaries between musician and audience\, between music and ritual\, silence and sound\, drumming and dreaming are broken down. \n‘With MINUS 9 we tease the equilibrium in the hierarchy of the senses. Can the “ear\, hear\, here” become the touching vestibule of a new order? We challenge the distance in between. When do we allow ourselves to be touched\, metaphorically or literally? We invite the audience to re-question and rethink how we relate to each other. In our society a few roles trespass our comfort zone to touch our skin: doctors\, caretakers\, dance & sport coaches. They touch you but are you really touched? Music touches us emotionally\, but what if it would literally touch your flesh?’ K&A \nK&A within their performative constellations transform/translocate/transhape the relationship between the performer and the spectator to make it fluid.\nIn any theater the audience carries a predetermined role. Within the work of K&A the expectation to be silent\, to sit in the dark\, to stay immobile\, to watch the stage is being shifted. The latitude of the performer correlates with the longitude of the audience and is being redefined. In MINUS 9 the ear of the audience becomes the music instrument on which the composition is made on and the soundsystem through which it is perceived. MINUS 9 crosses the inner ear sound barrier\, exposes the noise\, the music that is hidden inside our own machine. This performance is a sonographer\, an ultrasound guide into the auditors unknown zones. It is an ode to the simplicity that carries the multiplicity. A performance for an ear: to hear/here. \n  \n 
URL:https://www.ifthesunisasquare.com/event/minus-9-15/
LOCATION:PQ2023 Prague Quadrennial of Performance Design & Space\, Holešovice Market - H17\, Prague\, Czech Republic
CATEGORIES:MINUS 9
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MINUS-9-web-campaign-images-5901.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230617T110000
DTEND;TZID=UTC:20230617T180000
DTSTAMP:20260404T124112
CREATED:20230525T221302Z
LAST-MODIFIED:20230529T083105Z
UID:56407-1686999600-1687024800@www.ifthesunisasquare.com
SUMMARY:MINUS 9
DESCRIPTION:part of RARE performances curated by Carolina Santos \nMINUS 9 is an anatomic sound installation\,\na one on one performance of 14 min for an ear\, to hear\, here.\nIt is an invitation to dive into the sonographic scenography of your own body. \nFrom the outside all seems to be silent\, from the inside the first blast of the universe is making a big band. In MINUS 9\, the boundaries between musician and audience\, between music and ritual\, silence and sound\, drumming and dreaming are broken down. \n‘With MINUS 9 we tease the equilibrium in the hierarchy of the senses. Can the “ear\, hear\, here” become the touching vestibule of a new order? We challenge the distance in between. When do we allow ourselves to be touched\, metaphorically or literally? We invite the audience to re-question and rethink how we relate to each other. In our society a few roles trespass our comfort zone to touch our skin: doctors\, caretakers\, dance & sport coaches. They touch you but are you really touched? Music touches us emotionally\, but what if it would literally touch your flesh?’ K&A \nK&A within their performative constellations transform/translocate/transhape the relationship between the performer and the spectator to make it fluid.\nIn any theater the audience carries a predetermined role. Within the work of K&A the expectation to be silent\, to sit in the dark\, to stay immobile\, to watch the stage is being shifted. The latitude of the performer correlates with the longitude of the audience and is being redefined. In MINUS 9 the ear of the audience becomes the music instrument on which the composition is made on and the soundsystem through which it is perceived. MINUS 9 crosses the inner ear sound barrier\, exposes the noise\, the music that is hidden inside our own machine. This performance is a sonographer\, an ultrasound guide into the auditors unknown zones. It is an ode to the simplicity that carries the multiplicity. A performance for an ear: to hear/here. \n  \n 
URL:https://www.ifthesunisasquare.com/event/minus-9-16/
LOCATION:PQ2023 Prague Quadrennial of Performance Design & Space\, Holešovice Market - H17\, Prague\, Czech Republic
CATEGORIES:MINUS 9
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MINUS-9-web-campaign-images-5901.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230819T110000
DTEND;TZID=UTC:20230819T160000
DTSTAMP:20260404T124112
CREATED:20230818T174705Z
LAST-MODIFIED:20230818T174705Z
UID:56621-1692442800-1692460800@www.ifthesunisasquare.com
SUMMARY:SANDBOX
DESCRIPTION:Anything to say? \n(well) SHUT UP AND SCROLL. From the private to the public realm a gesture is invading our bodies and minds\, K&A present SANDBOX \n  \n\n ANALOG\n\nA shallow box or a hollow in the ground partly filled by sand to play in. A place for free play as physical material is continually leveled maneuvered forms with an infinity of possibilities.  \n  \n\n DIGITAL\n\nA testing environment in a computer system software in which can be or coding run securely. Malicious files and suspicious objects can be tested. An essential tool for professionals to understand the behavior of malware.  \n  \nIn SANDBOX a performance for 3 people\, the duet K&A invites the audience to climb on the stool and SHUT UP & SCROLL till the end for happiness. \n  \nCredits: \nSHUT UP & SCROLL is a dystopic alter ego of ‘Anything to say?’ by Davide Dormino  \nPin-drop & location advise: Kees \nDrilling mentor: Kishan \nIkea puzzle specialist: Mirjam \nPR: Kim \nOn the spot assistance: Myrthe \nConcept\, transport\, and scrolling : K&A – Karla Isidorou & Alexandra Bellon \n  \nImagined in Kaserne Blau and realized with the support of the whole team of Theater Ins Blau. \n 
URL:https://www.ifthesunisasquare.com/event/sandbox/
LOCATION:Theater ins Blau
CATEGORIES:ANALOG DIGITAL,SANDBOX
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/08/SHUT_UP_SCROLL_KA-6339-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230917T150000
DTEND;TZID=UTC:20230917T180000
DTSTAMP:20260404T124112
CREATED:20230807T200359Z
LAST-MODIFIED:20231211T112008Z
UID:56585-1694962800-1694973600@www.ifthesunisasquare.com
SUMMARY:Le Tiret d’Alice / épisode 2
DESCRIPTION:De la fin du 19e siècle aux années 1940\, une révolution administrative bouleverse le monde du travail. Dans la continuité des réformes tayloriennes\, la rationalisation du travail de bureau se développe avec l’essor de nouveaux modes d’organisation et la création de nouveaux outils techniques. La machine à écrire constitue alors l’objet iconique de cette nouvelle ère\, tandis que la dactylographe en sera la figure incontournable. Ainsi\, d’innombrables bataillons administratifs\, majoritairement composés de femmes\, vont rejoindre les employés de bureau jusqu’alors essentiellement masculins\, pour y occuper les postes subalternes – et nettement moins bien rémunérés – de dactylographes et de sténographes.\nC’est dans ce contexte que la jeune Alice Rivaz intègre en 1925 le récent Bureau International du Travail\, où elle travaillera jusqu’à sa retraite comme sténodactylographe puis documentaliste. Au sein d’une société encore très conservatrice\, cette institution moderne et cosmopolite lui fournit un poste d’observation unique sur les mutations organisationnelles et sociales de son époque. Alors que Rivaz et ses consœurs se trouvent vouées « aux tâches abstraites qu’exige l’administration des choses »\, portant sur leurs épaules le poids d’une modernité placée sous le signe de l’accélération et du rendement\, la romancière se servira bientôt du même outil – la machine à écrire – pour affirmer sa propre voix et témoigner de son expérience. Dans ses romans Comme le sable (1946) et Le Creux de la Vague (1967)\, elle décrit avec une finesse remarquable ces nouveaux environnements de travail et de vie. Elle y questionne aussi bien la crise de sens produite par cette révolution administrative\, que la reconfiguration des rapports de domination genrés qui l’accompagnent. \nPrès d’un siècle plus tard\, ces questions restent largement d’actualité. Elles prennent toutefois des formes nouvelles\, alors que le travail subalterne qui sous-tend l’administration des choses se trouve parfois délégué aux machines\, parfois délocalisé\, souvent invisibilisé. Pour remonter aux sources de cette histoire et en aborder les enjeux\, l’historienne et sociologue Delphine Gardey\, spécialiste (entre autre!) de l’histoire des employées de bureaux sera en conversation avec Valérie Cossy\, professeure en études genre et autrice de l’ouvrage « Alice Rivaz. Devenir romancière » (éd. Suzanne Huret\, 2015). La Compagnie K&A (Karla Isidorou et Alexandra Bellon) proposera une performance musicale participative avec machines à écrire\, dont la fameuse Olivetti Lettera 32 qu’Alice Rivaz avait elle-même possédée. L’artiste Ramaya Tegegne questionnera les enjeux de la charge administrative chez les artistes – entre asservissement et émancipation. Enfin\, nous profiterons de cet événement pour inaugurer notre première édition d’Insert\, conçue par l’écrivain Daniel de Roulet en complément de son livre « La Suisse de travers » (éd. Héros-Limite\, 2020).
URL:https://www.ifthesunisasquare.com/event/le-tiret-dalice-episode-2/
LOCATION:Villa Bernasconi\, Grand-Lancy\, Switzerland
CATEGORIES:tiret
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/12/P1300184-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230929T203000
DTEND;TZID=UTC:20230929T203000
DTSTAMP:20260404T124112
CREATED:20230221T171047Z
LAST-MODIFIED:20230325T223958Z
UID:54768-1696019400-1696019400@www.ifthesunisasquare.com
SUMMARY:JUNGLE THE FUTURE
DESCRIPTION:JUNGLE THE FUTURE is a “fairytale gone wrong” for grown ups \nJUNGLE THE FUTURE is a theatrical f(r)iction documentary. \nJUNGLE THE FUTURE drags you into the groovy world of sharK and zebrA… our world! \n“The future is here… so is the jungle.” K&A \n  \nJungle the Future portrays the science-fiction journey of a humanized zebrA and sharK that escape their habitats to settle in cement territories: our cities. In the heart of a metropolis – amidst its grey neighborhoods- they confront the rites and customs of humans. In an effort to blend in they eat cigarettes\, dress-up in the corners\, get drunk on salt and gallop on rollers. The scandalous dream of the zebrA-lexandra Bellon\, and of the sharK-arla Isidorou\, is to integrate into human society. The audience\, as if visiting a zoo or a crime scene\, stays safely behind the lines. They witness their struggles\, nostalgia\, dreams for a better life and irresistable stamina to keep trying. \nTheir movements unfold between savage animalistic trance gestures and wacky odd human actions. What happens when the animals become all too human?“Jungle the Future” is a m-Ask s-How that questions our  relationship with animals\, urban and wild territories: BORDERS\, ORDERS\, OTHERS.  \nIn this physical theater performance the music becomes a storyteller without words\, tracing back the migration of the two animals with granulair percussive sounds\, atmospheric motives and groovy cords.  Are you ready for the JUNGLE? Are you ready for the FUTURE? \nJungle the Future to offer your mind provocative wild spaces and species. \n  \nCredits \nConcept\, choreography & performance: K&A (Karla Isidorou & Alexandra Bellon)\nMusic composition & performance: Alexandra Bellon & Viva Sanchez Reinoso Morand\nMask & costume design: our ready made society\nSound Recording: Leo Marin\, Bridge Studio Music\nSound mix: Alessandro Mazzieri\nCo-production: K&A\, Theater Ins Blau\, Amalthea\nSpecial thanks to: Kees van Leeuwen\, the entire team of Theater Ins Blau \n 
URL:https://www.ifthesunisasquare.com/event/jungle-the-future/
LOCATION:Theater ins Blau
CATEGORIES:Jungle The Future
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2022/02/JUNGLE-THE-FUTURE-by-KA-protest-slogans-0239-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231013T140000
DTEND;TZID=UTC:20231013T200000
DTSTAMP:20260404T124112
CREATED:20230807T195544Z
LAST-MODIFIED:20231007T113142Z
UID:56578-1697205600-1697227200@www.ifthesunisasquare.com
SUMMARY:MINUS 9
DESCRIPTION:part of STEREOMA: Electroacoustic Music and Audiovisual Arts Festival\norganised by MOMus – Experimental Center of the Arts (Thessaloniki\, GR)\ncurated by Eirini Papakonstantinou \nMINUS 9 is an anatomic sound installation\,\na one on one performance of 14 min for an ear\, to hear\, here.\nIt is an invitation to dive into the sonographic scenography of your own body. \nFrom the outside all seems to be silent\, from the inside the first blast of the universe is making a big band. In MINUS 9\, the boundaries between musician and audience\, between music and ritual\, silence and sound\, drumming and dreaming are broken down. \n‘With MINUS 9 we tease the equilibrium in the hierarchy of the senses. Can the “ear\, hear\, here” become the touching vestibule of a new order? We challenge the distance in between. When do we allow ourselves to be touched\, metaphorically or literally? We invite the audience to re-question and rethink how we relate to each other. In our society a few roles trespass our comfort zone to touch our skin: doctors\, caretakers\, dance & sport coaches. They touch you but are you really touched? Music touches us emotionally\, but what if it would literally touch your flesh?’ K&A \nK&A within their performative constellations transform/translocate/transhape the relationship between the performer and the spectator to make it fluid.\nIn any theater the audience carries a predetermined role. Within the work of K&A the expectation to be silent\, to sit in the dark\, to stay immobile\, to watch the stage is being shifted. The latitude of the performer correlates with the longitude of the audience and is being redefined. In MINUS 9 the ear of the audience becomes the music instrument on which the composition is made on and the soundsystem through which it is perceived. MINUS 9 crosses the inner ear sound barrier\, exposes the noise\, the music that is hidden inside our own machine. This performance is a sonographer\, an ultrasound guide into the auditors unknown zones. It is an ode to the simplicity that carries the multiplicity. A performance for an ear: to hear/here. \n  \n 
URL:https://www.ifthesunisasquare.com/event/minus-9-17/
LOCATION:MOMus – Experimental Center for the Arts\, Warehouse B1-Thessaloniki Port\, Thessaloniki\, 541 10\, Greece
CATEGORIES:MINUS 9
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MINUS-9-web-campaign-images-5901.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231014T140000
DTEND;TZID=UTC:20231014T200000
DTSTAMP:20260404T124112
CREATED:20231007T113235Z
LAST-MODIFIED:20231007T113235Z
UID:56631-1697292000-1697313600@www.ifthesunisasquare.com
SUMMARY:MINUS 9
DESCRIPTION:part of STEREOMA: Electroacoustic Music and Audiovisual Arts Festival\norganised by MOMus – Experimental Center of the Arts (Thessaloniki\, GR)\ncurated by Eirini Papakonstantinou \nMINUS 9 is an anatomic sound installation\,\na one on one performance of 14 min for an ear\, to hear\, here.\nIt is an invitation to dive into the sonographic scenography of your own body. \nFrom the outside all seems to be silent\, from the inside the first blast of the universe is making a big band. In MINUS 9\, the boundaries between musician and audience\, between music and ritual\, silence and sound\, drumming and dreaming are broken down. \n‘With MINUS 9 we tease the equilibrium in the hierarchy of the senses. Can the “ear\, hear\, here” become the touching vestibule of a new order? We challenge the distance in between. When do we allow ourselves to be touched\, metaphorically or literally? We invite the audience to re-question and rethink how we relate to each other. In our society a few roles trespass our comfort zone to touch our skin: doctors\, caretakers\, dance & sport coaches. They touch you but are you really touched? Music touches us emotionally\, but what if it would literally touch your flesh?’ K&A \nK&A within their performative constellations transform/translocate/transhape the relationship between the performer and the spectator to make it fluid.\nIn any theater the audience carries a predetermined role. Within the work of K&A the expectation to be silent\, to sit in the dark\, to stay immobile\, to watch the stage is being shifted. The latitude of the performer correlates with the longitude of the audience and is being redefined. In MINUS 9 the ear of the audience becomes the music instrument on which the composition is made on and the soundsystem through which it is perceived. MINUS 9 crosses the inner ear sound barrier\, exposes the noise\, the music that is hidden inside our own machine. This performance is a sonographer\, an ultrasound guide into the auditors unknown zones. It is an ode to the simplicity that carries the multiplicity. A performance for an ear: to hear/here. \n  \n 
URL:https://www.ifthesunisasquare.com/event/minus-9-18/
LOCATION:MOMus – Experimental Center for the Arts\, Warehouse B1-Thessaloniki Port\, Thessaloniki\, 541 10\, Greece
CATEGORIES:MINUS 9
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MINUS-9-web-campaign-images-5901.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231015T170000
DTEND;TZID=UTC:20231015T220000
DTSTAMP:20260404T124112
CREATED:20231007T113635Z
LAST-MODIFIED:20231007T113635Z
UID:56633-1697389200-1697407200@www.ifthesunisasquare.com
SUMMARY:MINUS 9
DESCRIPTION:MINUS 9 is an anatomic sound installation\,\na one on one performance of 14 min for an ear\, to hear\, here.\nIt is an invitation to dive into the sonographic scenography of your own body. \nFrom the outside all seems to be silent\, from the inside the first blast of the universe is making a big band. In MINUS 9\, the boundaries between musician and audience\, between music and ritual\, silence and sound\, drumming and dreaming are broken down. \n‘With MINUS 9 we tease the equilibrium in the hierarchy of the senses. Can the “ear\, hear\, here” become the touching vestibule of a new order? We challenge the distance in between. When do we allow ourselves to be touched\, metaphorically or literally? We invite the audience to re-question and rethink how we relate to each other. In our society a few roles trespass our comfort zone to touch our skin: doctors\, caretakers\, dance & sport coaches. They touch you but are you really touched? Music touches us emotionally\, but what if it would literally touch your flesh?’ K&A \nK&A within their performative constellations transform/translocate/transhape the relationship between the performer and the spectator to make it fluid.\nIn any theater the audience carries a predetermined role. Within the work of K&A the expectation to be silent\, to sit in the dark\, to stay immobile\, to watch the stage is being shifted. The latitude of the performer correlates with the longitude of the audience and is being redefined. In MINUS 9 the ear of the audience becomes the music instrument on which the composition is made on and the soundsystem through which it is perceived. MINUS 9 crosses the inner ear sound barrier\, exposes the noise\, the music that is hidden inside our own machine. This performance is a sonographer\, an ultrasound guide into the auditors unknown zones. It is an ode to the simplicity that carries the multiplicity. A performance for an ear: to hear/here. \n  \n 
URL:https://www.ifthesunisasquare.com/event/minus-9-19/
LOCATION:FOM\, Dikelis 2\, Mytilene\, Lesvos\, 81100\, Greece
CATEGORIES:MINUS 9
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MINUS-9-web-campaign-images-5901.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231021T160000
DTEND;TZID=UTC:20231021T223000
DTSTAMP:20260404T124112
CREATED:20230325T214237Z
LAST-MODIFIED:20231012T213100Z
UID:55939-1697904000-1697927400@www.ifthesunisasquare.com
SUMMARY:MINUS 9
DESCRIPTION:MINUS 9 is an anatomic sound installation\,\na one on one performance of 14 min for an ear\, to hear\, here.\nIt is an invitation to dive into the sonographic scenography of your own body. \nFrom the outside all seems to be silent\, from the inside the first blast of the universe is making a big band. In MINUS 9\, the boundaries between musician and audience\, between music and ritual\, silence and sound\, drumming and dreaming are broken down. \n‘With MINUS 9 we tease the equilibrium in the hierarchy of the senses. Can the “ear\, hear\, here” become the touching vestibule of a new order? We challenge the distance in between. When do we allow ourselves to be touched\, metaphorically or literally? We invite the audience to re-question and rethink how we relate to each other. In our society a few roles trespass our comfort zone to touch our skin: doctors\, caretakers\, dance & sport coaches. They touch you but are you really touched? Music touches us emotionally\, but what if it would literally touch your flesh?’ K&A \nK&A within their performative constellations transform/translocate/transhape the relationship between the performer and the spectator to make it fluid.\nIn any theater the audience carries a predetermined role. Within the work of K&A the expectation to be silent\, to sit in the dark\, to stay immobile\, to watch the stage is being shifted. The latitude of the performer correlates with the longitude of the audience and is being redefined. In MINUS 9 the ear of the audience becomes the music instrument on which the composition is made on and the soundsystem through which it is perceived. MINUS 9 crosses the inner ear sound barrier\, exposes the noise\, the music that is hidden inside our own machine. This performance is a sonographer\, an ultrasound guide into the auditors unknown zones. It is an ode to the simplicity that carries the multiplicity. A performance for an ear: to hear/here. \n  \n 
URL:https://www.ifthesunisasquare.com/event/minus-9-11/
LOCATION:AMOQA Athens Museum of Queer Arts\, Athens\, Greece
CATEGORIES:MINUS 9
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MINUS-9-web-campaign-images-5901.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Zurich:20231116T203000
DTEND;TZID=Europe/Zurich:20231116T233000
DTSTAMP:20260404T124112
CREATED:20231007T122116Z
LAST-MODIFIED:20231007T170956Z
UID:56641-1700166600-1700177400@www.ifthesunisasquare.com
SUMMARY:Match the matches
DESCRIPTION:Lifespan of a match: a few seconds \nLifespan of a volcano: several tens of thousands of years \nIn “MATCH THE MATCHES” K&A invite the viewers to oscillate in between the complementary dynamics of a volcano and a match. Their unique universality reigns in the history of humanity. In a visual poetic trip the timing in between the ignition of a match and the ignition of a volcano expands. \n  \nMATCH THE MATCHES premiere: 16 November 2023\, Ignition poésies en mouvement #14 organised by Makaronic at Scène Caecilia Geneva (CH) \nCredits:\nConcept & realisation: K&A (Karla Isidorou & Alexandra Bellon)\nFilming\, edit & trailer: K&A\nMusic: extracts of ‘REBOUND’ composed by Alexandra Bellon \nREBOUND credits: Composition\, Bounces → percussion\, synthesizers\, bass drum\, computer: Alexandra Bellon Mixing: Alessandro Mazzieri Recording: Bridge studio Genève (Kugler) With the participation of : Marie Mercier\, bass clarinet\, Louise Knobil: electric bass REBOUND is part of the cycle ONGOING by Alexandra Bellon\, supported by Landis & Gyr Stiftung Full composition available on Bandcamp: https://alexandrabellon.bandcamp.com/album/rebound
URL:https://www.ifthesunisasquare.com/event/match-the-matches/
LOCATION:Scène Caecilia\, 23 rue Carteret\, Geneva\, 1202\, Switzerland
CATEGORIES:MATCH
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/10/Match_web_by_K_Isidorou-26.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20231118T190000
DTEND;TZID=Europe/Lisbon:20231118T200000
DTSTAMP:20260404T124112
CREATED:20231007T114414Z
LAST-MODIFIED:20231118T111453Z
UID:56637-1700334000-1700337600@www.ifthesunisasquare.com
SUMMARY:AM I A ROBOT?*
DESCRIPTION:‘Tonight\, we would like to hear a loud and enthusiastic applause for our very special guest Sophia.’ ‘Sophia\, how are you tonight?’ \nFunny\, uncomfortable\, provoking\, sometimes with a delay\, Sophia answers questions. Inspired by a true story\, “AM I A ROBOT?*” invites you to encounter SOPHIA. She is a social humanoid robot that was activated on February 14\, 2016 and is the first robot to receive citizenship of any country. AM I A ROBOT?* is a documentary show on the edge: an inappropriate circus demonstration to question our capability for empathy and explore our repetitive failure to recognise the rights of what is perceived as otherness. \n  \n“Talk show\,  AI\, post-human\, racism\, robotics\, ethics\, starification. We miss one word..  Empathy. How did we forget to be human?” K&A  \n  \nCredits: \nConcept & performance: K&A (Karla Isidorou & Alexandra Bellon)\nScenography & costumes: K&A\nSpecial thanks to: SOPHIA \n 
URL:https://www.ifthesunisasquare.com/event/am-i-a-robot-12/
LOCATION:SOAP Bar\, Rua do Bolhão\, 132\, Porto\, Portugal
CATEGORIES:AM I A ROBOT?*
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MAIN-WEB-AM-I-A-ROBOT-by-KA-campaign-image7274-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Lisbon:20231119T213000
DTEND;TZID=Europe/Lisbon:20231119T223000
DTSTAMP:20260404T124112
CREATED:20231118T111551Z
LAST-MODIFIED:20231118T111551Z
UID:56758-1700429400-1700433000@www.ifthesunisasquare.com
SUMMARY:AM I A ROBOT?*
DESCRIPTION:‘Tonight\, we would like to hear a loud and enthusiastic applause for our very special guest Sophia.’ ‘Sophia\, how are you tonight?’ \nFunny\, uncomfortable\, provoking\, sometimes with a delay\, Sophia answers questions. Inspired by a true story\, “AM I A ROBOT?*” invites you to encounter SOPHIA. She is a social humanoid robot that was activated on February 14\, 2016 and is the first robot to receive citizenship of any country. AM I A ROBOT?* is a documentary show on the edge: an inappropriate circus demonstration to question our capability for empathy and explore our repetitive failure to recognise the rights of what is perceived as otherness. \n  \n“Talk show\,  AI\, post-human\, racism\, robotics\, ethics\, starification. We miss one word..  Empathy. How did we forget to be human?” K&A  \n  \nCredits: \nConcept & performance: K&A (Karla Isidorou & Alexandra Bellon)\nScenography & costumes: K&A\nSpecial thanks to: SOPHIA \n 
URL:https://www.ifthesunisasquare.com/event/am-i-a-robot-13/
LOCATION:SOAP Bar\, Rua do Bolhão\, 132\, Porto\, Portugal
CATEGORIES:AM I A ROBOT?*
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/02/MAIN-WEB-AM-I-A-ROBOT-by-KA-campaign-image7274-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240110T203000
DTEND;TZID=UTC:20240110T220000
DTSTAMP:20260404T124112
CREATED:20240104T124901Z
LAST-MODIFIED:20240104T124901Z
UID:57356-1704918600-1704924000@www.ifthesunisasquare.com
SUMMARY:SMAAKMAKERS - a taste of ANALOG DIGITAL
DESCRIPTION:During Smaakmakers initiated by Theater Ins Blau (Leiden\, NL) makers share with the public a taste of their upcoming perfromances.\nIn this edition K&A take you with them into the universe of: \nANALOG <-> DIGITA is a movement theater performance dedicated to a disequilibrating contemporary world. Analogue sounds compete with digital ones\, books burn and e-readers rise\, vinyls are the new dancefloor and polaroids our only archive.\nIn a scenography between pixels and objects arises a temporal space where micromovements appear: fingers precisely initiating the ongoing dance of a spinning top or the blink of an eye caught in an extravagant selfie.\nANALOG <-> DIGITAL invites you to oscillate in between contradictory cravings: waiting for a handwritten letter\, detesting technology\, falling in love with a screen (maybe even a robot?)\, breaking your phone\, crying for a book\, stealing a spinning top\, scratching a vinyl\, getting addicted to chatGPT . \n  \nTeasing our obedience to a digital environment and the glorification of the screen\, K&A invites the audience on a delirious trip\, that ends with a blink. \n  \nCredits \nConcept\, choreography & performance: K&A (Karla Isidorou & Alexandra Bellon)\nCo-production: K&A\, Theater Ins Blau\nSpecial thanks to: Kees van Leeuwen\, the entire team of Theater Ins Blau \n 
URL:https://www.ifthesunisasquare.com/event/smaakmakers-a-taste-of-analog-digital/
LOCATION:Theater ins Blau
CATEGORIES:ANALOG DIGITAL
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/05/ANALOG-DIGITAL-KA-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240214T203000
DTEND;TZID=UTC:20240214T203000
DTSTAMP:20260404T124112
CREATED:20240129T112506Z
LAST-MODIFIED:20240129T113410Z
UID:57400-1707942600-1707942600@www.ifthesunisasquare.com
SUMMARY:ANALOG DIGITAL - open rehearsals
DESCRIPTION:During the nAchTELIER you can take a peak behind the scenes in\, during our rehearsals for ANALOG <-> DIGITAL \nat 20h30\, 21h30 and 22h30. \nANALOG <-> DIGITAL s a movement theater performance dedicated to a disequilibrating contemporary world. Analogue sounds compete with digital ones\, books burn and e-readers rise\, vinyls are the new dancefloor and polaroids our only archive. \nIn a scenography between pixels and objects arises a temporal space where micromovements appear: fingers precisely initiating the ongoing dance of a spinning top or the blink of an eye caught in an extravagant selfie. \nInspired by ancient and contemporary games\, sweetly accompanied by a tendency to escapism\, the performers question/teases/underlines our relation with digital and analogue objects. ANALOG <-> DIGITAL  invites you to oscillate in between contradictory cravings:  waiting for a handwritten letter\, detesting technology\, falling in love with a screen (maybe even a robot?)\, breaking your phone\, crying for a book\, stealing a spinning top\,  scratching a vinyl\, getting addicted to chatGPT . \nTeasing our obedience to a digital environment and the glorification of the screen\,K&A invites the audience on a delirious trip\, that ends with a blink. \n  \nCredits \nConcept\, performance: K&A \nText: K&A with quotes of Marguerite Duras\, James Baldwin\, Kae Tempest\, Orhan Pamuk\, Sarah Cane\, Chat GPT\, Terence Winter\, June Jordan\, Edward Albee\, Elizabeth Taylor\, Cory Doctorow\, Cookie Monster\, Eminem\, Coi Leray\, Hildegard of Bingen\nSet Design: K&A\nTechnical support: Andries van Duijvenbode (Theater Ins Blau) Harwin Wegner (Theater Ins Blau)\nComposition & realization of music: Alexandra Bellon\nVoice: Anne-Kathryn Olsen\nVoice recording: Alessandro Mazzieri\nMix of composition: Alessandro Mazzieri\nCoproduction: Stichting Public Frequencies\, K&A\, Theater Ins Blau \nSpecial Thanks to: Kees van Leeuwen\, Kishan Buldeo Rai\, Mirjam Hensgens\, Kim Vissers\, Theater Ins Blau\, Kaserne Blau\nThe composition of ANALOG <-> DIGITAL is supported by Nicati-De Luze \n  \n 
URL:https://www.ifthesunisasquare.com/event/analog-digital-open-rehearsals/
LOCATION:Theater ins Blau
CATEGORIES:ANALOG DIGITAL
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/05/ANALOG-DIGITAL-KA-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240215T203000
DTEND;TZID=UTC:20240215T203000
DTSTAMP:20260404T124112
CREATED:20230509T191141Z
LAST-MODIFIED:20240129T113324Z
UID:56239-1708029000-1708029000@www.ifthesunisasquare.com
SUMMARY:ANALOG DIGITAL
DESCRIPTION:ANALOG <-> DIGITAL s a movement theater performance dedicated to a disequilibrating contemporary world. Analogue sounds compete with digital ones\, books burn and e-readers rise\, vinyls are the new dancefloor and polaroids our only archive. \nIn a scenography between pixels and objects arises a temporal space where micromovements appear: fingers precisely initiating the ongoing dance of a spinning top or the blink of an eye caught in an extravagant selfie. \nInspired by ancient and contemporary games\, sweetly accompanied by a tendency to escapism\, the performers question/teases/underlines our relation with digital and analogue objects. ANALOG <-> DIGITAL  invites you to oscillate in between contradictory cravings:  waiting for a handwritten letter\, detesting technology\, falling in love with a screen (maybe even a robot?)\, breaking your phone\, crying for a book\, stealing a spinning top\,  scratching a vinyl\, getting addicted to chatGPT . \nTeasing our obedience to a digital environment and the glorification of the screen\,K&A invites the audience on a delirious trip\, that ends with a blink. \n  \nCredits \nConcept\, performance: K&A \nText: K&A with quotes of Marguerite Duras\, James Baldwin\, Kae Tempest\, Orhan Pamuk\, Sarah Cane\, Chat GPT\, Terence Winter\, June Jordan\, Edward Albee\, Elizabeth Taylor\, Cory Doctorow\, Cookie Monster\, Eminem\, Coi Leray\, Hildegard of Bingen\nSet Design: K&A\nTechnical support: Andries van Duijvenbode (Theater Ins Blau) Harwin Wegner (Theater Ins Blau)\nComposition & realization of music: Alexandra Bellon\nVoice: Anne-Kathryn Olsen\nVoice recording: Alessandro Mazzieri\nMix of composition: Alessandro Mazzieri\nCoproduction: Stichting Public Frequencies\, K&A\, Theater Ins Blau \nSpecial Thanks to: Kees van Leeuwen\, Kishan Buldeo Rai\, Mirjam Hensgens\, Kim Vissers\, Theater Ins Blau\, Kaserne Blau\nThe composition of ANALOG <-> DIGITAL is supported by Nicati-De Luze \n  \n 
URL:https://www.ifthesunisasquare.com/event/analog-digital/
LOCATION:Theater ins Blau
CATEGORIES:ANALOG DIGITAL
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/05/ANALOG-DIGITAL-KA-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240216T203000
DTEND;TZID=UTC:20240216T203000
DTSTAMP:20260404T124112
CREATED:20230509T191210Z
LAST-MODIFIED:20240129T113258Z
UID:56242-1708115400-1708115400@www.ifthesunisasquare.com
SUMMARY:ANALOG DIGITAL
DESCRIPTION:ANALOG <-> DIGITAL s a movement theater performance dedicated to a disequilibrating contemporary world. Analogue sounds compete with digital ones\, books burn and e-readers rise\, vinyls are the new dancefloor and polaroids our only archive. \nIn a scenography between pixels and objects arises a temporal space where micromovements appear: fingers precisely initiating the ongoing dance of a spinning top or the blink of an eye caught in an extravagant selfie. \nInspired by ancient and contemporary games\, sweetly accompanied by a tendency to escapism\, the performers question/teases/underlines our relation with digital and analogue objects. ANALOG <-> DIGITAL  invites you to oscillate in between contradictory cravings:  waiting for a handwritten letter\, detesting technology\, falling in love with a screen (maybe even a robot?)\, breaking your phone\, crying for a book\, stealing a spinning top\,  scratching a vinyl\, getting addicted to chatGPT . \nTeasing our obedience to a digital environment and the glorification of the screen\,K&A invites the audience on a delirious trip\, that ends with a blink. \n  \nCredits \nConcept\, performance: K&A \nText: K&A with quotes of Marguerite Duras\, James Baldwin\, Kae Tempest\, Orhan Pamuk\, Sarah Cane\, Chat GPT\, Terence Winter\, June Jordan\, Edward Albee\, Elizabeth Taylor\, Cory Doctorow\, Cookie Monster\, Eminem\, Coi Leray\, Hildegard of Bingen\nSet Design: K&A\nTechnical support: Andries van Duijvenbode (Theater Ins Blau) Harwin Wegner (Theater Ins Blau)\nComposition & realization of music: Alexandra Bellon\nVoice: Anne-Kathryn Olsen\nVoice recording: Alessandro Mazzieri\nMix of composition: Alessandro Mazzieri\nCoproduction: Stichting Public Frequencies\, K&A\, Theater Ins Blau \nSpecial Thanks to: Kees van Leeuwen\, Kishan Buldeo Rai\, Mirjam Hensgens\, Kim Vissers\, Theater Ins Blau\, Kaserne Blau\nThe composition of ANALOG <-> DIGITAL is supported by Nicati-De Luze \n  \n 
URL:https://www.ifthesunisasquare.com/event/analog-digital-2/
LOCATION:Theater ins Blau
CATEGORIES:ANALOG DIGITAL
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/05/ANALOG-DIGITAL-KA-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240217T203000
DTEND;TZID=UTC:20240217T203000
DTSTAMP:20260404T124112
CREATED:20230509T191242Z
LAST-MODIFIED:20240129T113234Z
UID:56244-1708201800-1708201800@www.ifthesunisasquare.com
SUMMARY:ANALOG DIGITAL
DESCRIPTION:ANALOG <-> DIGITAL s a movement theater performance dedicated to a disequilibrating contemporary world. Analogue sounds compete with digital ones\, books burn and e-readers rise\, vinyls are the new dancefloor and polaroids our only archive. \nIn a scenography between pixels and objects arises a temporal space where micromovements appear: fingers precisely initiating the ongoing dance of a spinning top or the blink of an eye caught in an extravagant selfie. \nInspired by ancient and contemporary games\, sweetly accompanied by a tendency to escapism\, the performers question/teases/underlines our relation with digital and analogue objects. ANALOG <-> DIGITAL  invites you to oscillate in between contradictory cravings:  waiting for a handwritten letter\, detesting technology\, falling in love with a screen (maybe even a robot?)\, breaking your phone\, crying for a book\, stealing a spinning top\,  scratching a vinyl\, getting addicted to chatGPT . \nTeasing our obedience to a digital environment and the glorification of the screen\,K&A invites the audience on a delirious trip\, that ends with a blink. \n  \nCredits \nConcept\, performance: K&A \nText: K&A with quotes of Marguerite Duras\, James Baldwin\, Kae Tempest\, Orhan Pamuk\, Sarah Cane\, Chat GPT\, Terence Winter\, June Jordan\, Edward Albee\, Elizabeth Taylor\, Cory Doctorow\, Cookie Monster\, Eminem\, Coi Leray\, Hildegard of Bingen\nSet Design: K&A\nTechnical support: Andries van Duijvenbode (Theater Ins Blau) Harwin Wegner (Theater Ins Blau)\nComposition & realization of music: Alexandra Bellon\nVoice: Anne-Kathryn Olsen\nVoice recording: Alessandro Mazzieri\nMix of composition: Alessandro Mazzieri\nCoproduction: Stichting Public Frequencies\, K&A\, Theater Ins Blau \nSpecial Thanks to: Kees van Leeuwen\, Kishan Buldeo Rai\, Mirjam Hensgens\, Kim Vissers\, Theater Ins Blau\, Kaserne Blau\nThe composition of ANALOG <-> DIGITAL is supported by Nicati-De Luze \n  \n 
URL:https://www.ifthesunisasquare.com/event/analog-digital-3/
LOCATION:Theater ins Blau
CATEGORIES:ANALOG DIGITAL
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/05/ANALOG-DIGITAL-KA-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240222T170000
DTEND;TZID=UTC:20240222T203000
DTSTAMP:20260404T124112
CREATED:20240129T113059Z
LAST-MODIFIED:20240129T113059Z
UID:57403-1708621200-1708633800@www.ifthesunisasquare.com
SUMMARY:ANALOG DIGITAL
DESCRIPTION:ANALOG <-> DIGITAL listeningsession \nExperience ANALOG <-> DIGITAL during the monthly LAB CRAWL organised by A LAB  \nIs dedicated to a disequilibrating contemporary world. Analogue sounds compete with digital ones\, books burn and e-readers rise\, vinyls are the new dancefloor and polaroids our only archive. \nIn a tiny scenography between pixels and objects arises a temporal space where micromovements appear: fingers precisely initiating the ongoing dance of a spinning top or the blink of an eye caught in an extravagant selfie. \nInspired by ancient and contemporary games\, sweetly accompanied by a tendency to escapism\, the sounds question/teases/underlines our relation with digital and analogue objects. ANALOG <-> DIGITAL  invites you to oscillate in between contradictory cravings:  waiting for a handwritten letter\, detesting technology\, falling in love with a screen (maybe even a robot?)\, breaking your phone\, crying for a book\, stealing a spinning top\,  scratching a vinyl\, getting addicted to chatGPT . \nTeasing our obedience to a digital environment and the glorification of the screen\,K&A invite you to delirious trip\, this performative listening session that ends with a blink. \nCredits \nConcept\, performance: K&A \nText: K&A with quotes of Marguerite Duras\, James Baldwin\, Kae Tempest\, Orhan Pamuk\, Sarah Cane\, Chat GPT\, Terence Winter\, June Jordan\, Edward Albee\, Elizabeth Taylor\, Cory Doctorow\, Cookie Monster\, Eminem\, Coi Leray\, Hildegard of Bingen\nSet Design: K&A\nTechnical support: Andries van Duijvenbode (Theater Ins Blau) Harwin Wegner (Theater Ins Blau)\nComposition & realization of music: Alexandra Bellon\nVoice: Anne-Kathryn Olsen\nVoice recording: Alessandro Mazzieri\nMix of composition: Alessandro Mazzieri\nCoproduction: Stichting Public Frequencies\, K&A\, Theater Ins Blau \nSpecial Thanks to: Kees van Leeuwen\, Kishan Buldeo Rai\, Mirjam Hensgens\, Kim Vissers\, Theater Ins Blau\, Kaserne Blau\nThe composition of ANALOG <-> DIGITAL is supported by Nicati-De Luze \n 
URL:https://www.ifthesunisasquare.com/event/analog-digital-4/
LOCATION:A LAB\, Overhoeksplein 2\, Amsterdam\, 1031KS\, Netherlands
CATEGORIES:ANALOG DIGITAL
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/05/ANALOG-DIGITAL-KA-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240228T203000
DTEND;TZID=UTC:20240228T223000
DTSTAMP:20260404T124112
CREATED:20240222T135413Z
LAST-MODIFIED:20240222T135447Z
UID:57429-1709152200-1709159400@www.ifthesunisasquare.com
SUMMARY:ANALOG DIGITAL
DESCRIPTION:ANALOG <-> DIGITAL listeningsession + live set \nExperience ANALOG <-> DIGITAL in its SPIN OFF listeningsession +live set \nIs dedicated to a disequilibrating contemporary world. Analogue sounds compete with digital ones\, books burn and e-readers rise\, vinyls are the new dancefloor and polaroids our only archive. \nIn a tiny scenography between pixels and objects arises a temporal space where micromovements appear: fingers precisely initiating the ongoing dance of a spinning top or the blink of an eye caught in an extravagant selfie. \nInspired by ancient and contemporary games\, sweetly accompanied by a tendency to escapism\, the sounds question/teases/underlines our relation with digital and analogue objects. ANALOG <-> DIGITAL  invites you to oscillate in between contradictory cravings:  waiting for a handwritten letter\, detesting technology\, falling in love with a screen (maybe even a robot?)\, breaking your phone\, crying for a book\, stealing a spinning top\,  scratching a vinyl\, getting addicted to chatGPT . \nTeasing our obedience to a digital environment and the glorification of the screen\,K&A invite you to delirious trip\, this performative listening session that ends with a blink. \nCredits \nConcept\, performance: K&A \nText: K&A with quotes of Marguerite Duras\, James Baldwin\, Kae Tempest\, Orhan Pamuk\, Sarah Cane\, Chat GPT\, Terence Winter\, June Jordan\, Edward Albee\, Elizabeth Taylor\, Cory Doctorow\, Cookie Monster\, Eminem\, Coi Leray\, Hildegard of Bingen\nSet Design: K&A\nTechnical support: Andries van Duijvenbode (Theater Ins Blau) Harwin Wegner (Theater Ins Blau)\nComposition & realization of music: Alexandra Bellon\nVoice: Anne-Kathryn Olsen\nVoice recording: Alessandro Mazzieri\nMix of composition: Alessandro Mazzieri\nCoproduction: Stichting Public Frequencies\, K&A\, Theater Ins Blau \nSpecial Thanks to: Kees van Leeuwen\, Kishan Buldeo Rai\, Mirjam Hensgens\, Kim Vissers\, Theater Ins Blau\, Kaserne Blau\nThe composition of ANALOG <-> DIGITAL is supported by Nicati-De Luze \n 
URL:https://www.ifthesunisasquare.com/event/analog-digital-5/
LOCATION:Forum Grosselin\, Rue Jacques-Grosselin 50 C\, Carouge\, 1227\, Switzerland
CATEGORIES:ANALOG DIGITAL
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2023/05/ANALOG-DIGITAL-KA-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240304
DTEND;VALUE=DATE:20240305
DTSTAMP:20260404T124112
CREATED:20251116T154522Z
LAST-MODIFIED:20251116T154522Z
UID:57994-1709510400-1709596799@www.ifthesunisasquare.com
SUMMARY:ELASTIQUE SONORE
DESCRIPTION:ELASTIQUE SONORE: atelier & séance d’écoute \nKarla Isidorou et Alexandra Bellon   \nElastique Sonore est un projet pluridisciplinaire ludique & high-tech qui développe simultanément l’apprentissage collectif d’une musique – chorégraphiée/ chorégraphie – musicale et son enregistrement en 3D. Enregistrement qui est ensuite utilisé afin de guider l’écoute\, de plonger au coeur du son. \nObjectifs  \n\nApprendre à “jouer” et bouger avec un élastique\, une performance de 8 minutes\nEnregistrer la performance collective à l’aide d’un studio mobile (enregistrement en 3D) pour élargir les portes des perceptions auditives.\nDévelopper des clés de créativité\, d’écoute immersive et d’interprétation pluridisciplinaire.\n\nUn atelier médiation LUDIQUE & HIGH-TECH \nELASTIQUE SONORE  est un projet ludique & hight tech qui développe simultanément l’apprentissage collectif d’une musique-chorégraphiée/chorégraphie-musicale\,et son enregistrement en 3D. Enregistrement qui est ensuite utilisé afin de guider l’écoute\, de plonger au coeur du son. L’expérience est un véritable “trompe l’oreille”. Le futur auditeur entendra le monde sonore avec un réalisme troublant. Les micros permettent d’agir comme loupe grossissante: le son sera plus réel\, plus précis que le réel lui même! ELASTIQUE SONORE  permet de zoomer dans la matière. \nSéance d’écoute: des sons immersifs (durée 45 mns – 1 période) \nLa séance d’écoute est une invitation dans notre monde imaginaire intime\, inspiré par des lieux exceptionnels et des environnements sonores intrigants. Les auditeurs sont invité à un “voyage immobile”. Cette session d’écoute permet de se laisser porter par le son\, d’être immergé dans des territoires inexplorés entre fiction et documentaire. Dans cette session\, le public est invité à faire l’expérience de 3 bandes sonores immersives différentes\, provenant d’environnements et de mondes sonores variés (durée 30 minutes) \nA la fin\, les auditeurs sont invités à réfléchir et à échanger sur les pièces écoutées et les mondes sonores découverts! (15 minutes) \n  \nL’équipe artistique & pedagogique  \nAlexandra Bellon  \nest une artiste pluridisciplinaire\, formée comme musicienne classique et contemporaine (percussions). En plus de son activité de compositrice et performeuse\, elle réalise de nombreux projets de médiation avec ses différents ensembles musicaux (Ensemble Batida\, K&A\, 46°N\, Parasite sans s\, Eklekto).   \nKarla Isidorou  \nest une performeuse\, formée aux arts visuels et au théâtre. Avec une passion pour le partage\, une curiosité sans fin et des idées inspirantes\, elle dirige des ateliers qui explorent et renforcent la créativité à travers une multiplicité de disciplines.   \n  \nCe workshop est destiné aux écoles sur ces dates\, inscription extérieure impossible à ces dates.
URL:https://www.ifthesunisasquare.com/event/elastique-sonore-4/
LOCATION:Institut international de Lancy\, Switzerland
CATEGORIES:ELASTIQUE,Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2025/11/website_elastic-1522996005.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240305
DTEND;VALUE=DATE:20240306
DTSTAMP:20260404T124112
CREATED:20251116T154548Z
LAST-MODIFIED:20251116T154548Z
UID:57999-1709596800-1709683199@www.ifthesunisasquare.com
SUMMARY:ELASTIQUE SONORE
DESCRIPTION:ELASTIQUE SONORE: atelier & séance d’écoute \nKarla Isidorou et Alexandra Bellon   \nElastique Sonore est un projet pluridisciplinaire ludique & high-tech qui développe simultanément l’apprentissage collectif d’une musique – chorégraphiée/ chorégraphie – musicale et son enregistrement en 3D. Enregistrement qui est ensuite utilisé afin de guider l’écoute\, de plonger au coeur du son. \nObjectifs  \n\nApprendre à “jouer” et bouger avec un élastique\, une performance de 8 minutes\nEnregistrer la performance collective à l’aide d’un studio mobile (enregistrement en 3D) pour élargir les portes des perceptions auditives.\nDévelopper des clés de créativité\, d’écoute immersive et d’interprétation pluridisciplinaire.\n\nUn atelier médiation LUDIQUE & HIGH-TECH \nELASTIQUE SONORE  est un projet ludique & hight tech qui développe simultanément l’apprentissage collectif d’une musique-chorégraphiée/chorégraphie-musicale\,et son enregistrement en 3D. Enregistrement qui est ensuite utilisé afin de guider l’écoute\, de plonger au coeur du son. L’expérience est un véritable “trompe l’oreille”. Le futur auditeur entendra le monde sonore avec un réalisme troublant. Les micros permettent d’agir comme loupe grossissante: le son sera plus réel\, plus précis que le réel lui même! ELASTIQUE SONORE  permet de zoomer dans la matière. \nSéance d’écoute: des sons immersifs (durée 45 mns – 1 période) \nLa séance d’écoute est une invitation dans notre monde imaginaire intime\, inspiré par des lieux exceptionnels et des environnements sonores intrigants. Les auditeurs sont invité à un “voyage immobile”. Cette session d’écoute permet de se laisser porter par le son\, d’être immergé dans des territoires inexplorés entre fiction et documentaire. Dans cette session\, le public est invité à faire l’expérience de 3 bandes sonores immersives différentes\, provenant d’environnements et de mondes sonores variés (durée 30 minutes) \nA la fin\, les auditeurs sont invités à réfléchir et à échanger sur les pièces écoutées et les mondes sonores découverts! (15 minutes) \n  \nL’équipe artistique & pedagogique  \nAlexandra Bellon  \nest une artiste pluridisciplinaire\, formée comme musicienne classique et contemporaine (percussions). En plus de son activité de compositrice et performeuse\, elle réalise de nombreux projets de médiation avec ses différents ensembles musicaux (Ensemble Batida\, K&A\, 46°N\, Parasite sans s\, Eklekto).   \nKarla Isidorou  \nest une performeuse\, formée aux arts visuels et au théâtre. Avec une passion pour le partage\, une curiosité sans fin et des idées inspirantes\, elle dirige des ateliers qui explorent et renforcent la créativité à travers une multiplicité de disciplines.   \n  \nCe workshop est destiné aux écoles sur ces dates\, inscription extérieure impossible à ces dates.
URL:https://www.ifthesunisasquare.com/event/elastique-sonore-5/
LOCATION:Institut international de Lancy\, Switzerland
CATEGORIES:ELASTIQUE,Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.ifthesunisasquare.com/wp-content/uploads/2025/11/website_elastic-1522996005.jpg
END:VEVENT
END:VCALENDAR